
With the release of the iPad imminent, and more than 150,000 units sold
in the first 60 hours of Apple's US pre-sale, publishers are scrambling to
take advantage of the new, touch friendly tablet format.
Even as the focus is firmly on the iPad, are a number of competing
devices just around the corner, with chip maker ARM predicting over 50
devices to hit the market in 2010.
With this
predicted boom in touch devices comes the inevitable hype with many
publishers considering tablets as the way to revitalise the flagging magazine market.
Leading
US business newspaper the Wall St Journal has already released its
first pricing for the iPad, hoping to lure users with a US$17.99 per
month charge, which is roughly double the current advertised
subscription costs.
It's clear that
publishers are looking to the iPad as a way to extract more money from
their content.from both consumers and
advertisers.
According to a report in the Wall Street Journal, Time
has already sold single ad spots in their first iPad issue for
US$200,000, with Conde Naste, the publishers of Wired, spruiking a
number of different interactive advertising features at high premiums
for advertisers.
So what do consumers and
advertisers get for the additional spend? Lets take a look at some early
examples of what we can expect from tablet based publications.
Sports
Illustrated
Time Inc was one of the first cabs off
the rank with their Sports Illustrated tablet demo, including video
content integrated with the regular magazine content. Reports have
stated that Time Inc will be charging around the same amount for iPad
versions as it does for print.
Wired
MagazineLeading tech magazine Wired has also been working
on a tablet optomised version of their magazine. Wired takes a balanced
approach with some minor tweaking that enhances the magazine format with
interactive photos and advertising.
PenguinLeading
book publisher Penguin has bigger ideas than just slapping their
current books on the iPad like they currently do with the Kindle.
Instead penguin sees tablets as a way of enhancing their current range
of books with interactive activities, animation and other enhancements.
Watching the
presentation, I can't help think of 'interactive' encyclopedias in the
90's.
They promised the world with had some interactive features
which made the CD-Rom based publications more enticing than their
multi-volume, bookshelf hogging, dead-tree counterparts. However due to
the costs of development, only a small segment of the content actually
provided an interactive experience.
The reality was the vast
majority of content was still the same as the old books, just digitised.
Viv MagOnline only magazine Viv thought it would
hit the iPad with a splash, creating what they claim is the first ever
digital motion cover and featurette.
VIV Mag Featurette: A Digital Magazine Motion Cover and Feature for the iPad from Alexx Henry on Vimeo.
The results
are very impressive, verging on the mindblowing, this isnt really
publishing as we know it. The Viv mag is essentially an entire film shoot complete with all the associated costs, including
digital post-production and visual effects and design.
Tablets promise to
bridge the gap between the feel of print and the interactivity web in a
way that simply wasn't possible with a mouse, keyboard and screen. Its
clear that desire is there to create beautiful, dynamic content that
will change the way we look at print.
At this
stage it's too early to say whether the strong demand for devices will translate into a consumer base that will be willing to pay a
premium for iPad formatted content.
Unless revenue can be generated from advertisers and direct sales, many of the more engaging examples shown above may simply not be commercially viable, despite their intrinsic appeal.